In the realm of perception, reality takes on an intriguingly subjective hue. People are encapsulated within the bubble of their environments and cultures, viewing the world through their unique lenses. In this blog post, we embark on an enthralling journey to explore the effectiveness of two distinct approaches to realism in diverse films of different media. Our protagonists are the animated short “Swipe” by PuffBall Studios and the art film “Zindagi Tamasha” by acclaimed Pakistani director Sarmad Khoosat.
Unveiling the Social Issues in Focus
Both films shine a spotlight on a pressing social concern—the oppression faced by individuals under the guise of religion. Before we delve into the comparisons, let’s acquaint ourselves with an Islamic concept called Fatwa. A Fatwa represents a legal pronouncement, an opinion rendered by a mufti, an Islamic legal scholar, capable of issuing judgments on matters pertaining to Islam.
A Synopsis of “Swipe” and “Zindagi Tamasha”
“Swipe” unravels a riveting tale of misconceptions surrounding religion, fueled by the self-proclaimed custodians of Islam. The film introduces us to the app iFatwa, a tinder-facebook hybrid where users vote and decide who faces the axe. An explosive blend of technology, extremism, and fascism confronts society, leading to increasing hostility and alienation. “Swipe” emerges as a poignant social commentary, urging for greater empathy and a collective call to action.
On the other hand, “Zindagi Tamasha” unfolds the life of Rahat, an esteemed old man deeply devoted to his Muslim faith. A single dance inadvertently captured on camera catapults his orderly existence into chaos. Criticized by neighbors and daughters, Rahat becomes a pariah in his once-exalted society. This poignant art film delves into themes of conservatism and intolerance, weaving an intricate tapestry of emotions through poetic expression.
Strategies for Realism in “Swipe”
“Swipe” brilliantly combines animation and immediacy to captivate viewers. At first aware of the medium, audiences swiftly immerse themselves in the story, empathizing with characters who have both given and received judgment in life. The film masterfully breaks the fourth wall, engaging viewers in introspection. Social media and technology are exposed as culprits in turning people into mindless zombies, manipulated by the so-called custodians of Islam. It’s a haunting reflection of reality, where power struggles and warfare are fueled by misguided religious interpretations.
Strategies for Realism in “Zindagi Tamasha”
In “Zindagi Tamasha,” a fusion of poetic mode and social realism evokes deep emotions. The film is a character study, revealing how societal norms and religion influence individuals’ lives. Even devout Muslims are constrained, unable to express emotions freely. The film’s abstract, lyrical form parallels Edward Hopper’s “Soir Bleu,” where a sad clown in a café is surrounded by disparate individuals. “Zindagi Tamasha” portrays the hostility and shunning society can unleash upon those who defy its norms. It’s a profound exploration of challenging societal themes.
Two Realist Representations: A Sensory Journey
Both films achieve powerful representation, drawing viewers into tangible understanding and profound emotions. “Swipe” weaves music and form to envelop audiences in the story’s world, heightening their sense of belonging. Meanwhile, “Zindagi Tamasha” makes viewers listeners to an older story, granting them a first-look perspective. Realistic animation serves as a unique and potent vehicle to address societal issues, touching hearts and provoking reflections. On the other hand, biographies present facts and statements to recount events.
To what extend is my work realism?
In my creative endeavors, empathy is paramount. My stories revolve around real-world experiences, both symbolic and character-driven. Inspired by impressionist painters, I embrace the adage that “a picture is worth a thousand words.” My artistic pursuit reflects the essence of human emotions, transporting viewers to realms of authentic connection.
In conclusion, the subjectivity of reality is an enthralling labyrinth to explore through cinema. “Swipe” and “Zindagi Tamasha” eloquently tackle societal challenges, leaving us with introspection and empathy. Their diverse strategies for realism serve as profound cinematic experiences, resonating with audiences on a profound level. As we continue our creative journey, let us embrace the power of art to breathe life into stories, provoking thought and stirring the soul.
References
Available at: https://www.quora.com/What-are-your-views-on-the-Zindagi-Tamasha-movie-and-controversy
Desk, E., 2019. The Tribunne. [Online]
Available at: https://tribune.com.pk/story/2068698/sarmad-khoosats-zindagi-tamasha-teases-intriguing-social-drama
Kamran, T., 2020. The News PK. [Online]
Available at: https://www.thenews.com.pk/tns/detail/618006-zindagi-tamasha-a-futile-controversy
Media, A. C. o. C. a. t., 2016. Raising Children. [Online]
Available at: https://raisingchildren.net.au/guides/movie-reviews/the-little-prince
Raza, A., 2020. The Friday Times. [Online]
Available at: https://www.thefridaytimes.com/2020/11/28/review-swipe-short-film-about-the-widening-definitions-of-blasphemy/
Yadlapalli, S., 2021. Cinema Esacpist. [Online]
Available at: https://www.cinemaescapist.com/2021/02/review-zindagi-tamasha-pakistan-movie/
Arsalan Awais 