Research | Update# 3

Writing for children media requires a very different set of skills, it is a very different medium. In order to write a mockumentary set in a primary school, I first had to peek in to my past and resonate with stories I want to tell myself. After talking to my childhood friends, I listed what kind of games we used to play, the competitions we used to have, what kind of politics and antics we were engaged in, just to name a few.

Below is a list of few of the activities we used to do in school;

  1. Floor is Lava
  2. A break up with a friend is equivalent of a divorce
  3. Groupings
  4. Sports
  5. Lunch Swap
  6. Admission Day
  7. Cheating during exams
  8. Preparation fro Exam
  9. Exam result
  10. Kadi-Kadi ( catch-catch)
  11. Kings Stop
  12. Costume day
  13. Show and Tell
  14. Chinese Whisper/rumours
  15. School Plays
  16. Art competitions
  17. Spelling Bee
  18. Fights in schoolyards
  19. Re-enacting famous lines and scenes from films and TV series
  20. Food fight
  21. Getting locked up in the toilet
  22. Class bunking
  23. Eagle trying to steal your lunch
  24. castle wars
  25. Drawing on the tables
  26. Bullying because of a disability

For now I will use one of these as the basic story for the pilot episode and use the rest as a pitch to show, if ever picked by the producers these are the stories we can tackle in the following episodes.

I think the floor is lava game has the potential to be an engaging episode as there is a lot of room to play here. Every child in this game would a different role e.g., the classroom could be divided in to zones, some are doing an activity or some are doing a call back to the climax scene form the Revenge of the Sith. Hence, there is a lot to play here.

References

‌Advancement Courses Blog. (2018). How to Manage School Fights | Advancement Courses. [online] Available at: https://blog.advancementcourses.com/articles/how-to-manage-school-fights/.

Floor is Lava. 2020. [Film] Directed by Brian Smith. USA: Netflix.

Magnolia Banner News. (2021). Central Elementary School holds science fair. [online] Available at: https://www.magnoliabannernews.com/news/2021/mar/04/central-elementary-school-holds-science-fair/ [Accessed 29 Apr. 2023].

Creative Decision and Research| Update #2

To get a mockumentary right, first I needed to decide what it the actual documentary going to be about so that I can mock it, because if I look at mockumentaries like The Office (UK and US versions), Modern Family, Parks and Recreation or what we do in the shadows (which are going to be my case studies as well); they are set up in very unusual places and the characters are very conscious of the camera when it is around so it leads to them create humorous situations.

The Office (US version)

As you can see in the video, Dwight is using the camera crew as a plot device for his disastrous plan. He tells the crew what he is about to do i.e., giving a fire safety drill. Which eventually backfires and leads to one humorous after another (One of the best series episodes as well). A risky move on his part, but seeing the camera crew is what gave Dwight courage to do such a crime.

The Office (UK version)

This is a perfect example of when a human becomes aware of the camera and acts in a different manner e.g., in this case Brent is doing an employee evaluation and acts in a very sophisticated manner to sound smart on camera and this leads to a very awkward banter for Keith (who is less conscious of the camera and more focused on the task at hand).

What we do in the shadows

The comedic style in What We Do in the Shadows flips between self-aggrandizing and self-effacement. These vampires believe that they’re superior to humans, though the story constantly proves that they’re not half as intelligent or responsible. Well, except Nadja — unless her perennially reincarnating human lover, Gregor, is involved.

Seinfeld started the trend of “No hugging, no learning,” which forms the basis of several modern TV comedies. It implies that sitcom characters shouldn’t waste time on emotional development when they could be making audiences cringe-laugh, instead. The characters in What We Do in the Shadows mock and insult each other non-stop, but the show still manages to evoke heartfelt responses from viewers.

Hence, when it comes to children, they are going to be acting like how they are regardless of the camera. So either I change the concept a bit or design characters that fit this narrative device. Why not do both?

I thought why not add a character that has a knack for film making and decides to make a documentary on his school adventures and the characters could be of different ethnicity who over act in front of the camera.

One that can be noticed is that, the mockumentary format has a very guerrilla style film making and instead of steady cams they use handheld ones. It will be an interesting thing to create in animation.

References

The Office. 2000. [Film] Directed by Ricky Geravis, Stephen Merchant. UK: BBC.

The Office. 2005. [Film] Directed by Greg Daniels. USA: NBC.

What We Do In The Shadows. 2019. [Film] Directed by Jemaine Clement. New Zeeland: FX.

Ideation | Update #1

It is that time of the year when are allowed to pitch films for the final project. I had a couple of ideas in the back pocket for while now and in today’s lecture I got to share it with the class and get their feedback on it. Before coming up with ideas we were asked by our HOD; what we want to achieve with our final project e.g., use it as a pitch for a TV series or make a film that you want to send in to festivals etc. Since everyone is opting to create a short film, I thought why not take this opportunity to make a pilot for a children’s tv series. However I did ideate other ideas as well.

Idea 1 – Light and Shadow Further Development

The initial idea was to further develop my practice 1 concept of light and shadow and to make it a full fledged film. A quick recap of what the story was; The story depicts a battle between two sides, 1. Officials (army, police, black ops etc) who are depicted as Light vs. A shadow army, 2. Civilians (lights) vs. Shadow army. The story begins in an apocalyptic world and the two sides are about to face off. In a gory match, both sides are have tremendous losses and in the battlefield two soldiers (one of light(civilians and officials) and other of shadow) are left pointing guns at each other. Just as the sun rises and the shadows starts to disappear. It is revealed that the shadows figures were in fact bodies of officials and civilians. For the civilians, the officials were seen as evil shadow figures and for the officials ,the civilians were shadow creatures. In a way, the story is about how people have lost humanity and are blocked by worldly restrictions and over shadowed by greed and power etc.

Although I love the concept but the problem with it remains the same that it is too ambitious and 3 mins of time will be doing injustice to it. So I don’t know for sure but will see what I can do with it in the future.

Idea 2 – Meethay Chawal ( Sweet Rice)

Meethay chawal i.e., Zarda means sweet rice and it is a dish popular in Pakistan. Meethay Chawal is derived from the traditions that is common in Pakistani villages. Whenever an old person dies, as tradition meethay chawal are distributed at their funeral.

The story starts on a rainy day. People are coming and going in a small cottage. We see that a funeral has taken place and we track the crowd towards a room when an eight year old is sitting alone, dressed in white eating “Zarda“. This is when his obsession with meethay chawal starts on the day his grandfather dies. The next day he goes to a parchoon (a small convenience shop in the neighborhood) shop to get some things his mother has asked. There he befriends an old man who resembles to his grandfather. He gets to know of his obsession with sweet rice and the both bond over them. He tells him stories in exchange he gets to eat all the rice that he can. One day the man and the boy get in to a fight and don’t see each other for days. One day the door bell rings and an unknown person brings meethay chawal to the boys home and says that they were sent to him as a token of apology. He accepts them and eats to the brim only to later find out that he had died and were distributed as part of the tradition.

The reception of the story was unanimously positive and I also believe that if executed right it can turn in to something beautiful that can be sent to festivals. Fingers crossed.

Idea 3 – A mockumentary comedy set in a Primary School

The series is set during lunch break, when the child get vivid imaginations, exaggerate a lot of stuff and are engaged in various schoolyard politics. Primary school seemed like a perfect setting for this because of children of this age bracket (6-12) have very ambitious ideas. In those 15 minutes a lot can happen especially when the teacher is not around.

After taking a vote the ideas 2 and 3 were the favourite ones.

In a tutorial with the teacher later on, we further dissected both ideas. While idea 2 was good, we felt that it needs a longer run time to justify the premise and concept, while would not be possible this time. While Idea 3, can be something very nostalgic for everyone and people can relate to the adventures.

Forefront# 1 | Cartoon Network for new generations

The interesting thing about art is that it is ever-evolving and innovative. But there comes a time when you have to draw the line and say enough. For me, the new cartoon network animation trend is that. 

CN Anything

The above animating is provided by Ronda, an Argentinian company that has done tv Ads for big brands. A while ago, they did a tv spot for Cartoon Network. The Animation is really strong. I have no idea how they manage to move that camera around with those exaggerated movements and character expressions all over the place, which I must say I really like it. It’s all fun and games, but the colour… is hard to digest. 

The colours palettes that I am used to are a bit washed up colours mostly pastel tones. I am not saying the I am not a fan of brightly couloured scenes but I am certainly not a big fan of brightly lit characters, environments and scenes because I find them a bit to distracting. I believe animated content should have more mellow colour tones but then again bright, over-the-top and exaggerated colour palettes are what set animations and live action films a part

Is it that this is a new trend for future generations? Am I too old to see cartoons now? I really don’t feel connected with this colour scheme and I don’t know how can it be perceived by the audience. I think it could be a thing to get used to, but in my opinion, it is too radical a makes me want not to see it for far too long.

Is it possible that we are looking at a new trend in 2D Animation in the near future? I will have to keep looking and find out what would be the pallets that will be done in the near future.

References

Ronda (2019). CN Anything. [online] Vimeo. Available at: https://vimeo.com/351221876 [Accessed 25 Apr. 2023].

Final Animation | Update#15

Below is a link to the final poetry animation. I am quite happy with how it has turned out but there are some more scenes that could have been fleshed out, but they required a longer duration and I was restricted to the 90-second mark. Regardless, It has been a worthy challenge to try something different ( a different storytelling process) and animate in a certain way that has been out of my comfort zone. All in all, it did teach me new techniques and I will surely apply those in my future works.

Refining | Update# 14

Now that my timeline is all set, I started refining the scenes; added textures, lights, and shadows to make them stand out more. I also added additional scenes to make the whole animation coherent.

For example, I added a light flicker before the tap scene and bubbles in the sink to give the scenes more character.

Furthermore, for the hand-in milk scene, I created a milk dripping transition and added a bit of a glow in it as well so that it gives a gloomy dream sequence vibe.

I also added a camera shake in the penultimate scene along with a teardrop.

I also added an in-between the scene above and the last scene i.e., the image of him and his mother (when he was an infant) to symbolize lost times.

The animation is coming along quite nicely and now it is just a matter of finishing it by adding some minor touches like lights and shadows and credits.

Creative Decision | Update# 13

After presenting the final timeline cut to my teachers, they felt the pacing was off in some places and the holes in orange socks was too abrupt and in the face. Since the overall message I want to give throughout the animation is that; how our mothers pamper us as a child but when were grow up and apart we do not give ourselves that same level of care and are snobbish.

Before

In terms of visuals, I was lacking a long shot as a deal breaker to help the poem settle down a bit for the viewer. So, I created a panorama shot of the room to show how much of a mess the person really is.

After
Final Image

After adding the smoke trail and tracking camera movement this is the final result. I believe this was a much smarter move, as this gave more depth to the animation and gravitas to the whole poem as well. Establishing shots are necessary when dealing with such medium.

Final Shot

Timeline Render and Review | Update# 12

After a weeks of continuous back and fort, I have completed my final timeline in after effects. All that is left to composite some scenes. lighting in some areas, add motion blur and camera shake in some places. Before I can proceed further, I showed this to my tutor. Although she lauded how much it has become but she felt that there are still certain scenes that need to changed and some further polished. Since I have only one week left of this brief I have to go ahead and finish it off myself.

Development and Reflection | Update# 11

In today’s session with the poetry society, I had an interesting discussion about certain lines of the poem that were too symbolic for one to understand and I took their perspective of it. One of the most common feedback was; the parts that were too literal were too distracting and at points I used metaphors that seemed engaging. They further suggested I take a more personal approach with this one and try to live out the scenarios.

In a tutorial after the class, Alex and I dissected the poem and he suggested me a book called “Understanding Comics by Scott McCloud” to further understand the link between words and images.

The constant feedback that I had been getting is to allow to the words to do most of the work and let the images be independent and to just amplify the words. So I dialed back things a bit. For example the bit about;

Sons are the skin hanging off sun-soaked lips. They need to be snipped with teeth-

Intially I made the following;

The closeup shot of lips biting off skins was very duo-specific (where words and imagery are conveying the same message). There is no refuting that the imagery is uneasy to watch and a bit grotesque. The imagery also felt unnecessary as the words were enough and a bit symbolic approach would work out better. So, in the process of finding what could complement the poetry line, I research dried leaves and petals because I think those are the closest thing to having sun-soaked lips. And when we talk about the need to be snipped with teeth it could be represented by petals/leaves falling.

Hence my take was to show a glowing rose, with its petals drying up and falling off. Below is the result. I added a subtle fire glow in the background for continuity purpose.

Hence, I am quite satisfied with how it shaped up to be and I think this method is the right approach.

Creative Development | Update# 10

All the puzzle pieces seem to be coming in to place. The pacing now looks much better and the overall film tonally feels coherent. I have decided to go ahead with the some scenes and finish them off. For now I will be colouring them, but after approval I will add lighting and shadows and render the frames.

Since the poetry also felt that, at certain points where I have added extra establishing shots those amplify the poem and setting. It also foreshadows what it about to come.

For the handwashing scene, I added dirty clothes in sink and to connect it to the previous scene I animated a leaking tap.

The most tricky part was figuring out the metaphor of bathing hand in white, I went for a literal representation but I will with it a way that seems symbolic. For example, add a bit of glow in the particular scene to give a dream sequence feel.